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| ‘æ1‰ñ’èŠú‰‰‘t‰ï | ’‹‚Ì•” | A.Copland | FANFARE FOR THE COMMON MAN from Ten Fanfares |
| 1978.09.10 | E.Bozza | OUVERTURE POUR UNE CEREMONIE Pour Cuivres et Batterie | |
| –k—¤Šw‰@‰hŒõŠÙ | F.Peeters | SUITE Quatuor Pour 4 Trombones | |
| B.Phillips | PIECE FOR SIX TROMBONES | ||
| B.Kaneda | TWO NEGRO SPIRITUALS for Brass Octet | ||
| L.Salzedo | DIVERTIMENTO Pour Cuivres et Batterie | ||
| R.Walker | BADINERIE for Brass Quintet | ||
| C.Gervaise | SIX BRANLES | ||
| J.Koetsier | KLEINE SUITE for Blaeserquartett | ||
| T.Susato | SUSATO SUITE Six Dances from "The Danserye" | ||
| –é‚Ì•” | P.Dukas | FANFARE Pour Perceder "La Peri" | |
| J.Addison | DIVERTIMENTO | ||
| E.Grieg | FUNERAL MARCH for Brass Choir | ||
| G.Gabrieli | CANZON a4 | ||
| C.Gervaise | THREE DANCES | ||
| V.Ewald | QUINTET | ||
| G.Gabrieli | CANZON SEPTIMI TONI NO.1 | ||
| T.Susato | SUSATO SUITE Six Dances from "The Danserye" | ||
| ‘æ2‰ñ’èŠú‰‰‘t‰ï | 1st Stage | E.ƒnƒ[ƒX | s—ñ‚̃tƒ@ƒ“ƒtƒ@[ƒŒ |
| 1979.10.28 | ì‹ÈŽÒ•sÚ | ‚Ö‚ÚŽl‚ׂ̈̃\ƒiƒ^ | |
| –k—¤Šw‰@‰hŒõŠÙ | C.ƒWƒFƒ‹ƒ”ƒF[ƒY&ƒAƒeƒjƒƒƒ“ | ƒ‹ƒlƒTƒ“ƒX•‘‹ÈW | |
| G.ƒJƒ“ƒr[ƒj | y–ØŠÇŒÜd‘tz@ƒNƒCƒ“ƒeƒbƒg F-dur‚æ‚è | ||
| J.ƒ}ƒbƒPƒ“ƒW[ | yƒp[ƒJƒbƒVƒ‡ƒ“ƒAƒ“ƒTƒ“ƒuƒ‹z@The Song for Tormbone & Percussion | ||
| 2nd Stage | arr. E.ƒnƒ[ƒX | wƒXƒCƒXƒ`ƒ…[ƒ“x‚æ‚èuƒo[ƒ[ƒ‹ƒ}[ƒ`vAuŒÃ‚¢ŽR¬‰®vAuƒJƒbƒRƒEv | |
| C.ƒwƒCƒ[ƒ‹ | ƒ~ƒXƒ^[ƒWƒƒƒ€ƒY | ||
| S.ƒWƒ‡ƒvƒŠƒ“ | ƒC[ƒW[ƒEƒBƒi[ƒY | ||
| ¬“cˆ×ŽO | •l•Ó‚Ì‰Ì | ||
| 3rd Stage | G.ƒKƒuƒŠƒGƒŠ | ‘æ‚Pù–@‚ׂ̈̃Jƒ“ƒcƒHƒ“ | |
| G.ƒKƒuƒŠƒGƒŠ | ƒsƒAƒm‚ƃtƒHƒ‹ƒe‚̃\ƒiƒ^ | ||
| A.ƒRƒr[ƒl | ƒ”ƒ@[ƒ‚ƒ“ƒgEƒXƒEƒB[ƒg | ||
| ‘æ3‰ñ’èŠú‰‰‘t‰ï | 1st Stage | R.ƒVƒ…ƒgƒ‰ƒEƒX iarr. ‰Ô–{N“ñj | uƒEƒB[ƒ“Žsj“T‹Èv‚æ‚èƒtƒ@ƒ“ƒtƒ@[ƒŒ |
| 1980.10.19 | S.ƒVƒƒƒCƒg | uí‚¢‚Ì‘g‹Èv‚æ‚èƒJƒ“ƒcƒHƒ“Eƒxƒ‹ƒKƒ}ƒXƒN | |
| –k—¤Šw‰@‰hŒõŠÙ | S.ƒhƒbƒWƒ\ƒ“ | ‹àŠÇ‚Vd‘t‚Ì‚½‚߂̑g‹È | |
| G.ƒKƒuƒŠƒGƒŠ | ‘æ‚Vù–@‚É‚æ‚éƒJƒ“ƒcƒHƒ“‘æ‚Q”Ô | ||
| G.ƒKƒuƒŠƒGƒŠ | ‘æ‚P‚Qù–@‚É‚æ‚éƒJƒ“ƒcƒHƒ“ | ||
| 2nd Stage | ƒp[ƒg•ʃAƒ“ƒTƒ“ƒuƒ‹ i‹È–ÚŽ‘—¿–³‚µj | ||
| 3rd Stage | W.ƒo[ƒh | ƒIƒbƒNƒXƒtƒH[ƒh”ŒŽÝ‚̃}[ƒ` | |
| C.ƒwƒCƒ[ƒ‹ iarr. ‰Ô–{N“ñj | ƒNƒ‰[ƒPƒ“ | ||
| C.ƒwƒCƒ[ƒ‹ iarr. ‰Ô–{N“ñj | ƒuƒ‰ƒbƒNƒTƒ€ | ||
| H.ƒ}ƒ“ƒV[ƒj iarr. X‰ºŒ¦‘ãj | ƒsƒ“ƒNEƒpƒ“ƒT[ | ||
| R.ƒvƒŒƒ€ƒ‹[ iarr. ‰Ô–{N“ñj | ƒuƒ‹[ƒXƒ}[ƒ` | ||
| ‘æ4‰ñ’èŠú‰‰‘t‰ï | 1st Stage | A.ƒuƒŠƒX | ƒƒ“ƒhƒ“Žs’·‚Ì‚½‚߂̃tƒ@ƒ“ƒtƒ@[ƒŒ |
| 1981.10.25 | ƒpƒXƒ iarr.P.ƒŠ[ƒ”j | ‹C‚Ì‚¢‚¢”ü’jŽq | |
| –k—¤Šw‰@‰hŒõŠÙ | J.ƒAƒfƒBƒ\ƒ“ | ƒfƒBƒ”ƒFƒ‹ƒeƒBƒƒ“ƒg | |
| G.ƒtƒ@[ƒiƒr[iarr. E.ƒnƒ[ƒXj | •‘‹ÈW | ||
| C.ƒLƒƒƒxƒW | ƒhƒbƒJ[ƒ^ | ||
| 2nd Stage | J.ƒzƒƒ”ƒBƒbƒc | ƒ~ƒ…[ƒWƒbƒNEƒz[ƒ‹‘g‹È | |
| C.ƒwƒCƒ[ƒ‹ | ƒoƒŠƒbƒW | ||
| ƒAƒCƒ‹ƒ‰ƒ“ƒh–¯—w iarr. J.ƒAƒCƒ”ƒ\ƒ“j | ƒgƒƒ“ƒ{[ƒ“ƒ\ƒ‚Ì‚½‚߂̃ƒ“ƒhƒ“ƒfƒŠ[ | ||
| R.ƒvƒŒƒ€ƒ‹[ | ‹àŠÇ‚P‚Od‘t‚Ì‚½‚߂̃fƒBƒ”ƒFƒ‹ƒeƒBƒƒ“ƒg | ||
| 3rd Stage | G.ƒKƒuƒŠƒGƒŠ | ‘æ‚Sù–@‚É‚æ‚éƒJƒ“ƒcƒHƒ“ | |
| G.ƒKƒuƒŠƒGƒŠ | ƒsƒAƒm‚ƃtƒHƒ‹ƒe‚Ì‚½‚߂̃\ƒiƒ^ | ||
| ƒXƒU[ƒg iarr. J.ƒAƒCƒ”ƒ\ƒ“j | •‘‹ÈW | ||
| ‘æ5‰ñ’èŠú‰‰‘t‰ï | 1st Stage | P.Dukas | FANFARE POUR PRECEDER"LA PERI" |
| 1982.10.24 | R.Walker | BADINERIE for Brass Quartet | |
| –k—¤Šw‰@‰hŒõŠÙ | C.Gervaise | THREE DANCES | |
| M.Arnold | QUINTET | ||
| 2nd Stage | G.Gabrieli | CANZON a6 | |
| E.Bozza | SUITE pour Quarte Cors | ||
| L.v.Beethoven | THREE EQUALI for 4 Trombones | ||
| N.Tcherepnine | THREE PIECES | ||
| W.J.Schinstine | SCHERZO for Percussion | ||
| 3rd Stage | P.Peuerl (arr. P.Reeve) | FOUR DANCES(1611) for Brass Quintet | |
| L.Salzedo | DIVERTIMENTO for 3 Trumpets & 3 Trombones | ||
| L.Pearson | HIPLIPS II for Brass Quintet | ||
| W.Walton | SPITFIRE PRELUDE | ||
| ‘æ6‰ñ’èŠú‰‰‘t‰ï | E.ƒOƒŠ[ƒO | ‘’‘—si‹È | |
| 1983.10.23 | A.ƒhƒ”ƒHƒ‹ƒU[ƒN | ƒ†[ƒ‚ƒŒƒXƒN | |
| –k—¤Šw‰@‰hŒõŠÙ | H.ƒgƒ}ƒW | ¹‹à—j“ú‚Ìs—ñ | |
| yŽ‘—¿s•û•s–¾z | ‘¼ | ||
| ‘æ7‰ñ’èŠú‰‰‘t‰ï | 1st Stage | Fanfare | |
| 1984.10.20 | L.Maurer | Twelve Little Pieces for Brass Quintet | |
| Î쌧‹³ˆç‰ïŠÙ | A.Civil (arr. M.Donjou) | Taran Tango | |
| Jacqmin | The Duet for Tuba | ||
| K.Stiegler | Jagdouverture | ||
| G.Gabrieli | Canzon per sonare No.3 | ||
| G.Gabrieli | Canzon per sonare No.4 | ||
| G.Gabrieli | Canzon Septimi Toni No.1 | ||
| 2nd Stage | C.Chavez | Toccata | |
| L.Janacek | Sokol Fanfare | ||
| R.Chapman | Suite of Three Cities for Four Trombones | ||
| L.Bernstein | Fanfare for Bima | ||
| E.Grieg | Suite for Brass Quintet | ||
| (arr. P.Reeve) | Old French Dances | ||
| ‘æ8‰ñ’èŠú‰‰‘t‰ï | |||
| yŽ‘—¿s•û•s–¾z | |||
| ‘æ9‰ñ’èŠú‰‰‘t‰ï | |||
| yŽ‘—¿s•û•s–¾z | |||
| ‘æ10‰ñ’èŠú‰‰‘t‰ï | 1st Stage | A.Bliss | Fanfare for The Lord Mayor of London |
| 1987.09.05 | G.Gabrieli | Canzon per sonare No.2 | |
| Î쌧‹³ˆç‰ïŠÙ | R.Wagner (arr. K.Stieger) | Lohengrin Fantasie Fuer 8 Hoerner | |
| R.Walker | Badinerie | ||
| B.Philips | Pieces for Six Trombones | ||
| W.Byrd (arr. E.Howarth) | The Earle of Oxford's March | ||
| 2nd Stage | T.Takeda | Convergence | |
| Swiss Folksong (arr. E.Howarth) | Berne Patrol | ||
| Swiss Folksong (arr. E.Howarth) | Four Swiss Tunes | ||
| Russian Folksong (arr. H.Hoshina) | Karunka | ||
| R.Premru | Five Movements from Divertimento |
‘æ1‰ñ ` ‘æ10‰ñ ’èŠú‰‰‘t‰ï
‘æ11‰ñ ` ‘æ20‰ñ ’èŠú‰‰‘t‰ï
‘æ21‰ñ ’èŠú‰‰‘t‰ï `
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